Trovati 187 documenti.
Trovati 187 documenti.
Travelling Without Moving / Jamiroquai
UK : Sony Music, 2013
Haydn : piano concerto n 3, 4 & 11 / Leif Ove Andsnes ; Norwegian Chamber Orchestra, Terje Tonnesen
Gran Bretagna : Warner Classics, 2012
The Dark Side of the Moon / Pink Floyd
[Hayes] : EMI, 2011
Why Pink Floyd? Discovery Edition
The wall / Pink Floyd ; produced by Bob Ezrin, David Gilmour, Roger Waters
Discovery version
London : Pink Floyd Music ; [Hayes] : EMI, 2011
Abstract: The Wall is the eleventh studio album by the English progressive rock group Pink Floyd. Released as a double album on 30 November 1979, it was subsequently performed live with elaborate theatrical effects, and adapted into a feature film, Pink Floyd—The Wall. As with the band's previous three LPs, The Wall is a concept album and deals largely with themes of abandonment and personal isolation. It was first conceived during their 1977 In the Flesh Tour, when bassist and lyricist Roger Waters's frustration with the spectators' perceived boorishness became so acute that he imagined building a wall between the performers and audience. The album is a rock opera that centres on Pink, a character Waters modelled after himself, with some aspects based on the band's original leader, Syd Barrett. Pink's life experiences begin with the loss of his father during the Second World War, and continue with ridicule and abuse from his schoolteachers, an overprotective mother and finally, the breakdown of his marriage. All contribute to his eventual self-imposed isolation from society, represented by a metaphorical wall. The Wall features a notably harsher and more theatrical style than Pink Floyd's previous releases. Keyboardist Richard Wright left the band during the album's production but remained as a salaried musician, performing with Pink Floyd during The Wall Tour. Commercially successful upon its release, the album was one of the best selling of 1980, and as of 1999, it had sold over 23 million RIAA certified units (11.5 million albums) in the United States. Rolling Stone magazine placed The Wall at number 87 on its list of The 500 Greatest Albums of All Time. (Wikipedia)
Peter Gabriel [4] / produced by David Lord and Peter Gabriel
[Corsham] : Real World, c2011
The division bell / Pink Floyd
Digital remaster
EMI, 2011
[London] : Ticker Tape, 2011
Abstract: The King of Limbs is the eighth studio album by English rock band Radiohead, produced by Nigel Godrich. It was self-released on 18 February 2011 as a download in MP3 and WAV formats, followed by physical CD and 12" vinyl releases on 28 March,[1] a wider digital release via AWAL,and a special "newspaper" edition on 9 May 2011. The physical editions were released through the band's Ticker Tape imprint on XL in the United Kingdom, TBD in the United States, and Hostess Entertainment in Japan. Following the painstaking recording and relatively conventional rock instrumentation of In Rainbows, Radiohead employed a more spontaneous process to develop The King of Limbs, sampling their own recordings with turntablist techniques inspired by DJing. The band provided little information on the album, not even a track listing, before its release, and did not discuss it in detail until nearly eight months later. Singer Thom Yorke described it as an expression of "physical movements" and "wildness"; the title King of Limbs possibly refers to an oak tree in Wiltshire's Savernake Forest, thought to be 1,000 years old.The King of Limbs has the shortest running time and track listing of any Radiohead album. As with 2000's Kid A, no singles were released, though a music video was released for the track "Lotus Flower". The album charted in the top ten in several countries and became a bestseller on vinyl. It received mostly positive reviews from critics and has been nominated for five categories in the 54th Grammy Awards, including Best Alternative Music Album.
Sounds of the universe / Depeche Mode
[London! : Venusnote, [2009!
Abstract: Dopo 11 album di studio e 100 milioni di copie vendute nel mondo, i Depeche Mode, leggende viventi dell’electrorock, sono fieri di annunciare l’uscita di "Sounds of the Universe". Eclettico, energico, il nuovo lavoro della band è un disco abbagliante e variegato. Registrato tra Santa Barbara e New York, i Depeche Mode sono tornati ad usare per questo album attrezzatura vintage, dai sintetizzatori analogici alle drum machine, in modo da evocare gli arrangiamenti retro-futuristici dell’album stesso. Dal punto di vista dei testi, Sounds of the Universe contiene molti dei temi da sempre preferiti del gruppo, con l’aggiunta di una dose di black humour più evidente di quella di qualsiasi loro antecedente uscita. Il primo singolo tratto dall’album è Wrong. Ritmi battenti, sintetizzatori stridenti ed il canto da comandante di Dave fanno di Wrong un pezzo che suona già come un classico dei Depeche Mode.
White lies for dark times / Ben Harper and Relentless
London : Virgin, 2009
Met sut i eyrum vit spilum endalaust / Sigur Ros
[Gran Bretagna] : EMI Records, p2008
Black holes & revelations [Audioregistrazione] / Muse
[London] : A&E, [2006]
London : Decca, c2008, p1992
The Originals
London : Decca, c2008, p1999
The Originals
London : Decca, c2008, p1971
The Originals